Exploding helicopters #10

Mark Hodkinson - The Last Mad Surge Of Youth

This was the damaged copy that I mentioned in my last post about Amazon Marketplace.  The little rip is just under my thumb.  I know what you’re thinking: THAT little bit of nothing is enough to warrant chucking this book onto the internet scrapheap?  Apparently so.

There was, however, something more disappointing to follow.  The Last Mad Surge Of Youth is interesting because each teeny tiny chapter (sometimes two or three on each page - do they even count as chapters?) jumped backwards and forwards in time, from 1980s working class England, where a group of schoolmates were forming their first bands and making their first fanzines, to retrospective wanderings from a couple of those band members later in life.  One was famous, had a drink problem, and was still desperately trying to bring down the establishment from within, and the other had left the band at an early age, got married and divorced, and worked at a local paper.  The pair of them were bitter and twisted old has-beens, they were just bitter and twisted about different stuff.  Which is why this book was so disappointing. 

Not only were the passages written about the young, anti-Thatcher Killing Stars so much funnier and more insightful, but the vitality of the characters at the beginning made the sections with Barrett getting wankered while he plays his own records all night long, or the bit where Carey has this empty, soulless shag in the back of a car after his wife’s left him, so very very pathetic.  It annoys me that the pair of them are such fools, when just 500 words beforehand you’ve been reading about them standing up for their rights as a support band or slagging off employment statistics.  Most of the bits I’m about to copy for you are from those early years.  It’s a shame it couldn’t all be about then, but I guess the whole point is to communicate the fleeting nature of fame or the natural human need for recognition in life.  It really is quite depressing stuff in the end.

“When you get good on an instrument you become a slave to the conventional.”“Definitely,” agreed Carey.  “Proficiency is a disease.”

Ian announced, his voice solemn, that he and Carl had ‘history’.  They had met a week earlier at a nightclub where he had subjected Carl to a eulogy on cybernetics, the profundity of Dr Who and a painstaking, paints-peeling-off-a-my-wall dissection of Gary Numan’s lyrics.  Ian’s leg had begun to feel warm and, reaching down, he discovered that Carl had pissed on him under the table.

“Let’s have it right, how can a few honkies from Slough or wherever play the blues?  What do they know about rattlesnakes and sloshing about in a Mississippi swamp looking for rats to eat?  Another thing: mouth organs.  I fucking hate them.  If you ever hear a mouth organ on one of my tracks you have my full permission to stick it up my arse, sideways.”

“Wasn’t it John Updike who said celebrity is a mask that eventually eats into your face?”“I didn’t know you read Updike.”I don’t.  I just remember good lines and pretend to have read all these cool authors.”

Mark Hodkinson - The Last Mad Surge Of YouthPublication date: 2009Publisher: PomonaPrice then: £7.99Price now: £5.54Bought from: Amazon Marketplace

Exploding helicopters #10

Mark Hodkinson - The Last Mad Surge Of Youth

This was the damaged copy that I mentioned in my last post about Amazon Marketplace. The little rip is just under my thumb. I know what you’re thinking: THAT little bit of nothing is enough to warrant chucking this book onto the internet scrapheap? Apparently so.

There was, however, something more disappointing to follow. The Last Mad Surge Of Youth is interesting because each teeny tiny chapter (sometimes two or three on each page - do they even count as chapters?) jumped backwards and forwards in time, from 1980s working class England, where a group of schoolmates were forming their first bands and making their first fanzines, to retrospective wanderings from a couple of those band members later in life. One was famous, had a drink problem, and was still desperately trying to bring down the establishment from within, and the other had left the band at an early age, got married and divorced, and worked at a local paper. The pair of them were bitter and twisted old has-beens, they were just bitter and twisted about different stuff. Which is why this book was so disappointing.

Not only were the passages written about the young, anti-Thatcher Killing Stars so much funnier and more insightful, but the vitality of the characters at the beginning made the sections with Barrett getting wankered while he plays his own records all night long, or the bit where Carey has this empty, soulless shag in the back of a car after his wife’s left him, so very very pathetic. It annoys me that the pair of them are such fools, when just 500 words beforehand you’ve been reading about them standing up for their rights as a support band or slagging off employment statistics. Most of the bits I’m about to copy for you are from those early years. It’s a shame it couldn’t all be about then, but I guess the whole point is to communicate the fleeting nature of fame or the natural human need for recognition in life. It really is quite depressing stuff in the end.

“When you get good on an instrument you become a slave to the conventional.”
“Definitely,” agreed Carey. “Proficiency is a disease.”

Ian announced, his voice solemn, that he and Carl had ‘history’. They had met a week earlier at a nightclub where he had subjected Carl to a eulogy on cybernetics, the profundity of Dr Who and a painstaking, paints-peeling-off-a-my-wall dissection of Gary Numan’s lyrics. Ian’s leg had begun to feel warm and, reaching down, he discovered that Carl had pissed on him under the table.

“Let’s have it right, how can a few honkies from Slough or wherever play the blues? What do they know about rattlesnakes and sloshing about in a Mississippi swamp looking for rats to eat? Another thing: mouth organs. I fucking hate them. If you ever hear a mouth organ on one of my tracks you have my full permission to stick it up my arse, sideways.”

“Wasn’t it John Updike who said celebrity is a mask that eventually eats into your face?”
“I didn’t know you read Updike.”
I don’t. I just remember good lines and pretend to have read all these cool authors.”

Mark Hodkinson - The Last Mad Surge Of Youth
Publication date: 2009
Publisher: Pomona
Price then: £7.99
Price now: £5.54
Bought from: Amazon Marketplace

--Tagged under: mark hodkinson--

--Tagged under: exploding helicopters--

When ‘Amazon’ isn’t a dirty word.

I have spent recent days reflecting upon the myriad of ethical standpoints that one can take when faced with Amazon Marketplace. You can buy second-hand books through them, and it works a bit like an agency for all the book dealers around. You browse on Amazon, you pay Amazon, and then Amazon tell the little old guys in Hay-on-Wye and on Charing Cross Road and, increasingly, in warehouses outside Milton Keynes where to send your paperbacks. Some of these warehouse-type places are actually operated by Amazon themselves, and generally sell old editions or damaged copies. Technically, not second-hand. For these sellers, you are able to use the Amazon order tracking system to see where your books are lingering the UK postal system.

Obviously, it’s a difficult call to make. Even the independent sellers who are selling genuine second-hand will be giving Amazon a commission for listing on Marketplace. And is it going against one’s ethics to buy a ‘new’ copy, albeit not on general sale due to cover damage or watermarks or something? By buying these copies, are we saying to publishers “it’s okay if you don’t treat these FRESHLY MURDERED TREES with respect, since there will always be a few misguided souls ready to purchase them”, or is it a case of giving the runt of the litter a good home, when it would otherwise sit, unloved, in its cold and lonely Milton Keynes warehouse forever more? What if the only place we can find a copy of S by John Updike at a reasonable price is through these dubious channels?

I’ve been testing the system, and in doing so, testing myself. In one transaction I bought a second-hand copies of S by Updike and a Simon Schama American history book, damaged copy of The Last Mad Surge Of Youth by Mark Hodkinson (all through sellers operated by Amazon), and then two collections of second-hand Ali Smith short stories, The Whole Story and other stories and Free Love and other stories, through independent sellers. The Schama and the Hodkinson still haven’t arrived though. Hmmm.

I think I’ll continue using Amazon Marketplace, simply because the range of titles available is unmatched, even by Ebay, but I’m going to try to stick with those independent sellers using it simple as another sales point. They might be little rural bookshops with limited winter trade, and would not be using Amazon were it not financially worthwhile. Perhaps when I phone Amazon to find out where the hell my Schama and Hodkinson books have got to, I’ll find their order tracking system useful, but I get the impression the Amazon-operated sellers are simply clearing their unwanted stock. The whole point in buying second-hand only it to try to prevent excess stock being printed in the first place.

--Tagged under: amazon marketplace--

--Tagged under: john updike--

--Tagged under: ali smith--

--Tagged under: simon schama--

--Tagged under: mark hodkinson--

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